Alex and the Choclate Factory

Moray McLaren - We Got Time from David Wilson on Vimeo.

ALL THE ANIMATIONS SEEN IN THIS VIDEO WERE CREATED IN CAMERA.

WATCH THE MAKING OF AND HI-RES VERSION….

davidwilsoncreative.com/moray

Using both praxinoscopes and the technique of matching up the frame rate of the spinning record to that of the camera, no computer super-imposing was used; what you see is what rolled off the camera. The transitions between each section of animation was created by simply cutting or wiping between the bits of footage.

All the animations were created, drawn and coloured by the director David Wilson.

Produced by Blinkink
blinkink.co.uk

Guardians of The Galaxy UI Reel from Territory on Vimeo.

Showreel covering Territory’s UI concepts, design and animation for both on-set playback and VFX shots for Marvel Studio’s 2014 blockbuster, Guardians of the Galaxy.

territorystudio.com/work/motion/?p=GuardiansOfTheGalaxy

Territory Credits -
Creative Director: David Sheldon-Hicks
Motion Designers: Peter Eszenyi, Nick Hill, Ryan Rafferty-Phelan, Marti Romances, Martin Aggerholm, Yugen Blake, Jay Dingle, Gabor Ekes, Ryan Jefferson Hays, David Penn, Alasdair Willson
Font Designer: Lee Fasciani

Playback Credits -
Compuhire

Marvel Credits -
Director: James Gunn
Production Designer: Charles Wood
Set Decoration: Richard Roberts
Art Director: Alan Payne
VFX Supervisor: Stephane Ceretti
VFX Producer: Susan Pickett

Reel Credits -
Edit: Cristina Casanova, Marti Romances
Sound Design: Zelig Sound

© 2014 Marvel Guardians of the Galaxy

ADBNE - 2013 from Chris Morris on Vimeo.

Double-exposures in motion.
-
Desktop Magazine’s Create Design Award for Motion
Australian Production Design Guild Award for Title Design
-
Breeder was invited back to create the opening titles for Analogue/Digital, so once again, we threw ourselves into the project and didn’t hold back. This year, we developed an ambitious aesthetic based upon the idea of double exposure, inspired by Alabaster’s amazing track and the conference’s program design. We worked around the theme of binary, juxtaposing the urban sprawl and nature, black and white, flight and fall, and unification and disintegration. It was a labour of love and we couldn’t be prouder with the end result.
BREAKDOWN VIDEO: vimeo.com/breeder/adbne2013-breakdown
analoguedigital.com.au
studiobreeder.com
iamalabaster.bandcamp.com
Credits
Creative Direction: Joyce Ho
Producer: Adam Sebastian West
Cinematography: Chris Morris, Alex Gee, Adam Sebastian West
Editing: Alex Gee
Design Lead: Joyce Ho
Design: Alex Gee, Timothy Lovett, Jai Mitchell
Compositing: Chris Morris
Animation: Alex Gee, Joyce Ho, Grayson Huddart
Starring: Abagail Pirie, Anthony Trojman
Sound by ALABASTER

ADBNE 2013 – Opening Titles from BREEDER on Vimeo.

Double-exposures in motion.

-
SXSW Excellence in Title Design 2014 – Finalist
Desktop Magazine’s Create Design Award for Motion 2013 – Winner
Australian Production Design Guild Award for Title Design 2013 – Winner
-

Breeder was invited back to create the opening titles for Analogue/Digital, so once again, we threw ourselves into the project and didn’t hold back. This year, we developed an ambitious aesthetic based upon the idea of double exposure, inspired by Alabaster’s amazing track and the conference’s program design. We worked around the theme of binary, juxtaposing the urban sprawl and nature, black and white, flight and fall, and unification and disintegration. It was a labour of love and we couldn’t be prouder with the end result.

BREAKDOWN VIDEO: vimeo.com/breeder/adbne2013-breakdown

analoguedigital.com.au
studiobreeder.com
iamalabaster.bandcamp.com

Credits
Creative Direction: Joyce Ho
Producer: Adam Sebastian West
Cinematography: Chris Morris, Alex Gee, Adam Sebastian West
Editing: Alex Gee
Design Lead: Joyce Ho
Design: Alex Gee, Timothy Lovett, Jai Mitchell
Compositing: Chris Morris
Animation: Alex Gee, Joyce Ho, Grayson Huddart

Starring: Abagail Pirie, Anthony Trojman

Sound by ALABASTER

HBO’s True Detective - Main Title Sequence from Patrick Clair on Vimeo.

Antibody created the main title sequence for HBO’s critically acclaimed drama series True Detective. Working through our LA-based production partners, Elastic, and with compositing support from the talented crew at Breeder.

See more of our studio’s work at antibody.tv

Making of article on Art of the Title: artofthetitle.com/title/true-detective

“True Detective” Opening Title Sequence

Client: HBO
Air Date: January 12, 2014

Soundtrack: Far From Any Road
by The Handsome Family

Opening Title Sequence: Elastic

Director: Patrick Clair
Executive Producer: Jennifer Sofio Hall

Design/Animation/Compositing: Antibody
Senior Designer: Raoul Marks
Animation + Compositing: Raoul Marks
Animation + Compositing: Patrick Da Cunha
Production: Bridget Walsh
Research: Anna Watanabe

Additional Compositing: Breeder
Compositing: Chris Morris
Compositing: Joyce Ho
Production: Candace Browne
Production: Adam West

"DUM DITTY DUMB" - Crystal Kay [Official Video] from Laura Yilmaz on Vimeo.

Directors: Tani Ikeda & Laura Yilmaz

taniikeda.com/
lauraemelyilmaz.com/

Executive Producer: Tamayu Takayama
Producers: Pete Galindo, Keri Smith
1st AD: Li Lu

DP: Jay Visit
1st AC: Gabriel Diniz
2nd AC: Michael Tubrindy

2D Lead: Laura Yilmaz
2D Animators: Ryan Gillis, Simon Wilches Castro, Oriel Berkovits, Kendra Ryan, Song E Kim
Comp Lead: Daniel Fallik
Compositor: Michael Fallik

Gaffer: Vong Chea
Best Boy Electric: Jason Booth
Electric: Dave Adams
Key Grip: Kevin Skaggs

Choreographer/Dancer: Winnie Chang

Costume Designer: Keyla Marquez
MUA/Hair: Setsuko Tate

Editor: David Schenk
Colorist: Nathan Pena

Location Manager: David Aguilar
PAs: Gwyn Martin-Morris, Tim Deal

BEHIND THE SCENES ON SET: vimeo.com/102598834

meowgon:

kinginthewest:

it’s just like, why are there cat emojis for loads of emotions as well as normal humans emojis

image

like, when do i need to express these emotions… but as a cat

they’re not for you… they’re for ME

image

(via nechii-the-fabulous)

A thing happened on campus

shady-brain-farm:

So my name is Joey White and I’m a very pasty pale British white guy at uni overseas. So I was introducing myself and this guy from Nigeria goes “Hi, I’m Joseph” so I said, “I’m a Joseph too! Joseph White.” Then he looked me in the eye and said in a dead serious tone “I’m Joseph Brown” and we nearly died.

(via sex-asteroids)